The vampire, the doppelganger, the automaton, the femme fatale, the serial killer, even the city itself as a pathological public space: these figures inhabit popular fiction at the end of the nineteenth century, expressionist cinema at the start of the twentieth century, and have been staples of mass culture ever since. Focusing on the relationship between fin-de-siècle Gothic fiction and its early cinematic adaptation, this course will explore the images of monstrosity that embody anxieties about changing media landscapes, emerging media forms, and the increasingly mediated character of human relationships between the 1880s and the 1920s. Primary texts and films will include R.L. Stevenson’sThe Strange Case of Dr. Jekyll and Mr. Hyde, Bram Stoker’sDracula, F.W. Murnau’sNosferatu, and Fritz Lang’sMetropolis. We will also read theoretical work by Hugo Münsterberg, Laura Mulvey, Otto Rank, Siegfried Kracauer, Walter Benjamin, and Friedrich Kittler.
Crosslisted with COLT062.04
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| Name | Reviews |
|---|---|
| Andrew Mccann | 3 |
| Andrew McCann | 0 |
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